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Many truths can exist at the same time

The Peisley Memoir books create a flow state that is never static. Their contents move backwards and forwards through time, experience and memory. The words that appear within them are

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Spirit Field

The Spirit Field The Spirit Field is an evolving, site-responsive installation created in the landscape surrounding my house in Vatoussa, Lesvos. Found branches, roots, animal bones, skulls, stone, wire, dried

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Just looking and the gift of presence

JUST LOOKING Just Looking stems from the rapture of attunement: the intimacy of gazing into the eyes of another, knowing that both of you are completely safe. Some years ago,

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This Jungian Journey

At some point I shifted in my listening habits from studying trauma , relationships and therapeutic processes to studying Carl Jung @thisjungianlife. I knew the basics from my Art Psychotherapy

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Lesvos does something to me

The paintings I have made in Greece feel like a turning point. They are less concerned with describing events and more interested in creating a symbolic language through which memory

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Art beyond trauma

Looking back over my recent work, I can see a shift taking place. Earlier paintings were more concerned with trauma as something overwhelming, something that fractured or fragmented the self.

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Obsidian dreaming

click link below to see a brief video of the sculpture turning. IMG_1430 OSSUARIUM of a restless soul Constructed from fragments of ceramic works made over many years, this vessel

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Why depict the DEVIL?

https://www.galleryx.ie/ The devil has appeared repeatedly in my recent work; in ceramic figures, painted plates and small theatrical scenes. Not as a religious certainty, but as a symbolic language through

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Everything and everyone we know is there

Over the past year my paintings have become increasingly shaped by trust in the unconscious. Rather than beginning with a fixed narrative or resolved composition, I start with fragments —

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A tribe of characters

These figures developed from an earlier tribe of ceramic sculptures made during lockdown titled Les Saltimbanques, inspired by Picasso’s painting of itinerant acrobats and outsiders living at the margins of

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To be dead and still living

I made my death mask . It’s not completely accurate as the face falls back when laying down changing the physiognomy. I am also not dead or sick. The process

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Fragmentation

I have cast small parts of things I have gathered. They are a little like a magpies selection of attractive parts that hold significance to me. Included are a Greek

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