Tracie Peisley

Peisley’s work is intense, highly charged with an emotional content that relates to the everyday drama of existing.

An experienced British Artist, she qualified with a BA(hons) in Fine Art at Bath Academy 1988, MA at City Of Birmingham Polytechnic 1989 and MA in Art Psychotherapy in 2006 at Hertfordshire University.

Following a rigorous training in drawing and a lively discourse at Bath Academy, she positions herself alongside contemporary Women Artists, exploring themes of intimacy, storytelling, identity, vulnerability and shame. What it is to be human…passionate, poetic and wanting to attach to others Peisley pulls the viewer into personal dialogue. Through imagery and form her work cuts to a symbolic resonance that hits the back of the psyche to cause a sometimes awkward acknowledgement about oneself. Through a relentless process of stripping artifice from her own ordinary reality, she feels that she captures emotion that couldn’t be constellated in anyway but poetry or art. A woman wanting to make sense of the existential loneliness we find ourselves in, wanting to make sincere relational connections and speak compassionately from lived experience.

More About Peisley

Featured Artwork

Peisley Memoir

I attended the Graphics Narrative Course on line with Dr. Sarah Lightman in 2022 at The Royal Drawing School. I leant that zines have been used to tell one’s story

Sensual Objects

Beautiful sensual ceramic objects that combine the influence of oriental erotic art with the artists personal narrative. There is a conscious assertion in the work as a women artist and

Paintings from the Unconscious

Peisley’s paintings invite the viewer to engage with the dialogue she has between her memory of self and others. There is an abstracted sense of self here which she is

Latest News

I know I know I know

My art practice is truly diverse . I work intuitively and I’m content to have several areas of work progressing simultaneously. What started as a survival strategy , tucking different

The Great Collectors

There are a few reasons why I have set myself a portrait painting challenge. It’s a good excercise to paint from life. Observational work feeds all areas of my practice.

Meanwhile I carve stone

Stone carving is the slower practise I employ and it runs on alongside everything else. It is arguably the most intentional as it’s the hardest ( literally) media to manipulate