Meanwhile I carve stone
Stone carving is the slower practise I employ and it runs on alongside everything else. It is arguably the most intentional as it’s the hardest ( literally) media to manipulate
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October in Greece
To paint outside plein air I need to feel secure. In the UK I experience bouts of what I decided to call ‘existential loneliness’. The outside world can feel like
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R I S O
I’m not a natural printer. I’ve been lucky enough to try etching, silkscreen, lithography, mono-printing and now Riso printing. Thinking in terms of layers blows my mind. I find myself
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SOLD
Throughout the year I have been selling pieces of art work. Sometimes during an exhibition or a residency and sometimes on line. I’m very pleased that many people who engage
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Talk back
I was invited to talk about my ceramic work by Sue Bird at Whitstable’s Talk Back group, together with Clare Griffiths and Rosie Tribe. Sue interviewed each of us so
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No bad parts
Recent work continues to combine studying trauma with my art practice. During lock down I discovered ‘ifs’ or Internal Family Systems’ invented by Dick Swartz. The simple idea is that
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Sculpture in the landscape
Taking the idea of the Totem to Greece I worked with trees in my garden to make totemic sculptures. I am not a sculptor , my training and experience is
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London Potters
I’m really thrilled to be exhibiting at the Morley Gallery again in the Annual London Potters exhibition. 61 Westminster Bridge Road , London SE1 7HT 27th November -7th December
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Conversation with Clare Smith
Some Years on it’s still painful to recall Clare passing.
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Rewilding
I was invited to be part of this amazing self published zine by women who had mostly met on the Graphics Narrative course at the Royal Drawing School led by
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