Tracie Peisley
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I know I know I know

My art practice is truly diverse . I work intuitively and I’m content to have several areas of work progressing simultaneously. What started as a survival strategy , tucking different

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London Potters Article

I have felt a bit fraudulent being part of London Potters , I don’t see myself as a potter, and more importantly I don’t have access to the level of

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Stone can withstand the force of me

This was my second carving and in my naivety I imagined I could carve a head in two days. The limestone was tricky it had been outside so had a

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S T O N E. L O V E

Continuing my adventures into carving I have been working on a piece of limestone, blessed at Canterbury Cathedral with the sculptor Donna Fleming at her studio in Ramsgate. The piece

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Epiphany number 367

Latest #peisleymemoir book is H O T At art school 1984-89 I wanted to make work that said something about my potency, agency, sexuality, hunger. I made enquiries… looking to

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Carved in stone

A new romance with stone has completely captivated me. This stone from the cathedral is the softest I’ve carved, it’s delicious to work with but it is still asking me

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